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The poisoning scene in *Casino Royale* (2006) is one of the most intense moments in the film, showcasing James Bond’s vulnerability and resilience. Scene Breakdown: During a high-stakes poker game at the Casino Royale in Montenegro, Bond (Daniel Craig) takes a sip of his martini, not realizing it has been laced with **digitalis**, a potent cardiac poison. Almost immediately, he begins to experience symptoms: dizziness, sweating, and a rapid, irregular heartbeat. Realizing he has been poisoned, Bond staggers to the bathroom, where he forces himself to vomit in an attempt to purge the toxin. He then stumbles to his Aston Martin DBS outside, where MI6’s medical team instructs him via his car’s defibrillator and emergency medical kit. He injects himself with **atropine** to counteract the poison but struggles to attach the defibrillator’s electrode correctly due to his deteriorating motor skills. Just as his heart goes into full **cardiac arrest**, Vesper Lynd (Eva Green) arrives and manages to reconnect the electrode, shocking Bond back to life. Recovering almost instantly, Bond regains his composure and nonchalantly returns to the poker table, quipping: "That last hand... nearly killed me #JamesBond #CasinoRoyale #007 #DanielCraig #BondMovies #MI6 #PoisonScene #BondPoisoned #CasinoRoyaleScene #BondVsLeChiffre #IntenseMoments #Shorts #YouTubeShorts #MovieMoments #FilmScenes #CinematicEdits #EpicScenes #PokerGame #HighStakes #CasinoLife #AllIn #GamblingWins

I Want My Money Back | Casino (1995) #Casino, #IWantMyMoneyBack, #JoePesci, #MartinScorsese

Like all of Martin Scorsese's best films, Casino (1995) is a parable. The stakes of the film are characteristically laid out through a combination of voiceover ("When you love someone, you've got to trust them, there's no other way") and montage, here structured around the combination of the concluding chorus of Bach's St. Matthew Passion (1727) and an explosion of shifting colors that succinctly encapsulates the allure of Las Vegas and of the medium Scorsese has used to represent it. Explore the histories of cinematic color and discover some of the distinctive ways it has been expressively used from the silent era to the twenty-first century in our new Color Exhibition! Follow the link below to learn more (including COLOR AND LINE, THE TRIUMPH OF TECHNICOLOR, THE DANCE OF THE FUTURE, VERTIGO, SCORSESE’S CASINO, KIESLOWSKI’S COLORS, THE CASE OF NAGISA OSHIMA, STAN BRAKHAGE’S METAPHORS ON VISION, and GODARD’S COLOR): https://www.filmsecession.com/exhibition/color About Film Secession: https://www.filmsecession.com/about-us #filmsecession #filmcolor #color #martinscorsese #saulbass