40 Lucky Fruits | Historia del Hotel Casino de la Selva

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40 Lucky Fruits | Historia del Hotel Casino de la Selva
40 Lucky Fruits | Historia del Hotel Casino de la Selva
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The Linq (formerly Flamingo Capri, Imperial Palace and The Quad) is a casino hotel on the Las Vegas Strip in Paradise, Nevada. It is owned and operated by Caesars Entertainment. It opened as the Flamingo Capri in 1959, on property located directly north of the original Flamingo resort. The Flamingo Capri was a 180-room motel, owned by George E. Goldberg and Flamingo employee Bill Capri. Ralph Engelstad purchased the Flamingo Capri in 1971, and added a casino the following year. He built additional motel buildings in 1974, and eventually added the 19-story Imperial Palace Tower in 1977. Engelstad renamed the entire property as the Imperial Palace on November 1, 1979, when a new casino facility opened on the site. The Flamingo Capri's casino was demolished to make way for the Imperial Palace's entrance, although some of the motel rooms would remain in operation for decades. The Imperial Palace was the first Asian-themed resort on the Strip. It was popular among middle-class and value-conscious guests. Long-running attractions included The Auto Collections, a car museum that operated from 1981 to 2017; and Legends in Concert, a show that ran from 1983 to 2009. Engelstad added additional hotel towers from 1982 to 1987, increasing the room count to 2,637. It was among the largest hotels in the world. When Engelstad died in 2002, the Imperial Palace was the second-largest privately owned hotel in the world, behind the Venetian resort in Las Vegas. Following his death, operations were taken over by a group that included his wife Betty. Harrah's Entertainment (later known as Caesars Entertainment) purchased the Imperial Palace in 2005, for $370 million. The company considered partial or complete demolition of the resort, before deciding on a renovation instead. On December 21, 2012, Caesars renamed the resort as The Quad. The Asian theme was removed, and the property received a redesign. The Linq Promenade – an outdoor collection of bars, restaurants, and retailers – was opened by Caesars in 2013. It was built along the Quad's southern edge. A signature feature of the promenade is the High Roller Ferris wheel, the second tallest in the world, only behind the Ain Dubai Ferris wheel. The Quad was renamed as The Linq on October 30, 2014, to match the new promenade. The name change was accompanied by a $223 million renovation, which modernized the resort in an effort to attract a new demographic of millennials. The Linq includes a 33,890 sq ft (3,148 m2) casino and 2,250 rooms. #wtedens https://www.caesars.com/linq

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🐂 Ox and Human Interaction Scene 🐂 1. Setting the Scene: – 🌾🐂 (Backdrop: a field with an ox grazing peacefully) – 🌳 (Natural surroundings highlight the rural setting) 2. Focus on the Ox: – 🐂✨ (The ox’s strong build and gentle demeanor are emphasized) – 👀🐂 (The ox looks curiously towards the human, showcasing a bond) 3. Human Involvement: – 👤🌿 (Person approaches the ox with a handful of grass) – 🤲❤️ (Gentle gestures indicate a nurturing intention) 4. The Situation: – 🐂➕🌿 (The ox appears interested in the grass, its ears perked up) – 🌞 (Sunlight casts a warm glow, enhancing the peaceful interaction) 5. Emotional Engagement: – 😊💚 (Viewer’s empathy grows as they witness the bond forming) – 🎥 (Curiosity about the relationship between the human and the ox is piqued) 6. Problem-Solving Action: – 🍃👤 (The person kneels down, offering the grass to the ox) – 🤝 (Focus on the gentle exchange, highlighting trust) 7. Novelty Factor: – 🌟🐂🌾 (A heartwarming sight of an ox being fed in a serene environment adds charm) – 🎭 (Memorable interaction enhances viewer engagement) 8. Micro-Narrative: – ⏱️💖 (A brief five-second clip captures a delightful moment) – 📖👥 (Concise visual narrative of connection and care invites investment) This scene showcases a touching moment between a human and an ox, emphasizing companionship and kindness in a natural setting. The visuals and emotional elements draw viewers in, allowing them to connect with the beauty of this interaction. The video shows a compelling scene involving a yak and a person interacting with a tree.The focal point is a large, curved horn of the yak that appears to be either firmly stuck within the bark of the tree or positioned extremely close to it. A pair of human hands, carefully wielding a knife, are visible in the vicinity where the horn meets the tree's surface. The deliberate actions of the person suggest an attempt to gently work the knife between the horn and the tree, likely with the intention of freeing the animal. Regarding the animal, it is clearly identifiable as a yak, distinguished by its characteristic long, shaggy, dark coat and the prominent, sweeping curve of its horn. The yak's stance and the slight tilt of its head imply an awareness of the situation and the activity near its horn. There's a subtle sense that the animal might be experiencing some level of discomfort or at least an understanding that something is happening to it. The person's actions in the clip strongly suggest an act of assistance. The careful and precise movements of the hands holding the knife indicate an effort to resolve the situation without causing any harm to the yak. The focus is on creating separation between the horn and the tree, implying that the horn has somehow become lodged or entangled. The scene portrays a moment of human intervention aimed at helping an animal in what appears to be an awkward predicament. Despite its brief five-second duration, the clip effectively captures the viewer's attention and fosters engagement through several key elements. The initial visual of the yak's horn seemingly connected to the tree immediately sparks intrigue and concern. Viewers are naturally curious about how this situation arose and feel a degree of empathy for the animal. The clip then presents a clear act of problem-solving in action, drawing the viewer in as they witness the person's deliberate efforts to find a solution. The scenario itself is quite unusual, as it's not a common sight to see a yak's horn interacting with a tree in this manner, adding to its novelty and memorability. Finally, the inherent empathy for the animal creates an emotional connection with the viewer, making them invested in the outcome, even within such a short timeframe. The concise visual narrative of an animal facing a peculiar challenge and a human stepping in to help creates a compelling and engaging micro-story.

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