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TC Ditto Looper / clean & Okko Diablo Gain+ Overdrive / Amp: Fender Vibroverb (original 1963), Vahlbruch Spacetime Delay, TC Polytune Tuner / Chickenpicks http://www.gregsguitars.de/de/product/1298/Chickenpicks_Plektren_3_St%FCck_nach_Wahl_1860_Set_.html / Backing Track by www.coffeebreakgrooves.com/ German Site: Informationen zu den Gitarren, FAQs, Fotos, Preisangaben etc. gibt es auf meiner Homepage: http://www.gregsguitars.de Okko- und Vahlbruch Pedale, Chickenpicks Plekteren sind auch bei mir im Angebot und ständig auf Lager. English Site: For FAQs and more detailed information on the instruments presented here / close-up fotos, pricings etc, please go to my http://www.gregsguitars.de/en/ Okko Diablo Overdrive / Vahlbruch Spacetime Delay Pedal / Chickenpicks also available You are welcome to ask any questions about the items for sale on my sales page, I will try to answer as soon as I can. Please understand that I can not take the time anymore to answer questions like "Do you think Mexican Fenders are better than Korean Epiphones" or "What's your favourite stompbox under $ 100?" and other general gear-questions. I understand that the casual and informal way of internet communication is inviting to ask anything you ever wanted to know about guitars. However, I get about 150 emails a day (!) just like these, it would take many hours each day just to respond to all these general questions. That is simply impossible to do. However, questions related to items on my inventory I'll try to answer quickly Allgemeine Fragen zu Gitarren und Amps: Inzwischen habe ich über 5000 Gitarrenvideos erstellt, und die Leute denken natürlich nicht ganz zu Unrecht: "Der kann mir sicher ein paar gute Tipps geben", oder immer beliebter: Fragen beantworten, zu einer Gitarre, die gerade günstig bei Ebay ersteigert wurde und etwas merkwürdig aussieht... Das Problem ist allerdings, dass ich inzwischen jeden Tag an die 150 derartige Mails mit allgemeinen Fragen aus der ganzen Welt bekomme... ("welche Epiphone kannst Du empfehlen..., "...was ist der Unterschied zwischen einer Custom-Shop-Les-Paul und einer normalen...", "..welche Strat-Pickups soll ich in meine Road-Worn einbauen", "..was ist der Unterschied zwischen einer Vintage-Fender/Gibson und einer Reissue ..". Ich habe jetzt eine ganze Zeit jeden Tag solche Mails beantwortet - und im Einzelfall wäre dies auch kein Problem. Aber, sorry, in diesem Umfang geht das leider nicht mehr! Nehmt es also bitte nicht persönlich wenn ich solche allgemeinen Fragen ab jetzt deshalb grundsätzlich nicht beantworte! Ebenso wenig Fragen nach Backing-Tracks, Aufnahme-Equipment, Plektren, Saiten.. - vieles steht bereits in den "FAQ" Seiten Spezielle Fragen zum Equipment in meinem Shop beantworte ich natürlich weiterhin gerne. Bei umfassenden Fragen/Beratungen lieber auch telefonisch als per Mail. Und ich bekomme so auch einen viel besseren Eindruck über die Wünsche und Vorstellungen des Kunden weil man direkt auch gezielt nachfragen-, Empfehlungen geben kann etc. . Am WE oder abends anrufen ist auch kein Problem.

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Thanks @wmvansise8797 and Eric Mason for lending me this Fender Rosewood Telecaster! It's a Made in Japan one from the 2010's This is the album version of I've Got A Feeling, take 1 from the Rooftop Concert. It was released on Let It Be (1970). To see footage of the live performance, watch Peter Jackson's 2021 Get Back doc, or the original 1970 Let it Be movie. OR...check out my Beatles instagram fan page '3 Savile Row' to see lots more Get Back footage John Lennon used his 1965 Epiphone Casino and George Harrison used his Fender Rosewood Telecaster for the rooftop performance. They both were plugged into 1968 Fender Silverface Twin Reverbs, very loud and clean 100 watt amps So how did they get these crunchy tones out of such sterile and hard-to-distort amps? It's been a debate among Beatles gear nerds for decades, and there still is no definitive answer. It could've been that these amps were protoypes sent by Fender with different circuitry, and they had to turn them up because they were playing outdoors. Or maybe the signal wasn't distorted, but made to sound this way afterwards, during mixing? I was able to achieve similar tones by using my 1974 Fender Silverface Pro Reverb amp and some overdrive/boost pedals. The Pro Reverb is very similar to the Twin Reverb, with two 12" high powered speakers. But the Pro Reverb is 40 watts and less clean For John's Casino, I'm using my 2021 Epiphone USA Casino into the Pro Reverb. I'm using an Analogman Bad Bob Boost pedal into a Klon KTR overdrive. The Bad Bob is a clean boost that is pushing the next pedal, the Klon KTR. The KTR is the same pedal as a Klon Centaur, which can be used as a boost or a medium-gain overdrive. I have it set with the drive knob at 11 o'clock, and the volume at 10 o'clock, which is pushing the amp a bit. The Pro Reverb settings are- Vol 2.8, Treb 6.2, Bass 1.9 John starts the song off in the bridge pickup, with the tone knob rolled way down. At certain points, he is seen switching to the neck pickup. Because the neck pickup tone knob wasn't rolled down, it is distorting, with more treble than the bridge pickup. Here are my knob settings for the Casino- Bridge Pickup: Vol 10, Tone 1.5 Neck Pickup: Vol 10, Tone 6.2 For George, I'm using the Fender MIJ Rosewood Tele into the Pro Reverb. I'm using an Analogman King of Tone pedal on the boost side, which is pushing the Analogman Bad Bob Boost. The King of Tone boost is set with lots of treble. The Pro Reverb settings are- Vol 3.5, Treb 7.2, Bass 2.8 Although George's tone is very bright, he's on the middle position of the Telecaster throughout the whole song, as seen in the movie Interesting Notes: 0:01 John's picking pattern is down-UP-UP-down-up-down-up-down- UP-UP. I found it interesting, when I saw the film footage, that the second note is an upstroke, not down 0:26 here, John plays a D note on the b-string for the second to last note in the riff 0:34 the last note George plays on the ascending lick, he slides up to 5th fret of A 1:09 John switches to the neck pickup. George turns up vol knob 1:26 John switches back to bridge pickup, turns down vol knobs 2:22 George hides his pick, and uses his fingers to pluck 2:32 John switches to neck pickup 2:39 John plays the A7 on 5th frets longer, then 4th fret. Instead of just going 5, 4 ,3 2:41 John's breakdown riff is sloppy, he stretches his fingers too far and plays an Eb note instead of a D on the 4th fret of b-string 2:46 John switches to bridge pickup and George plays without pick 2:58 George uses pick again 3:08 John switches to neck pickup 3:10 John stays on 3rd fret of ascending A7 riff, instead of going to 4th fret 3:27 George fiddles with his vol knob MY GEAR: 2010's Fender mij Rosewood Telecaster 2021 Epiphone Casino USA Royal Tan Analogman Bad Bob Boost Analogman King of Tone Klon KTR Overdrive Neumann TLM-103 #thebeatles #guitarcover #epiphone Thanks for watching! Please be sure to subscribe and watch my other Beatles covers https://youtu.be/2uBXYtIOV5s https://youtu.be/sWZMqkdpOhg https://youtu.be/B_zygqwFcls https://youtu.be/ikhERc0bOgA https://youtu.be/6mUveHWolKQ?si=76k4OnUJNG-uP1t3 https://youtu.be/PsJqdAZTpU8 https://youtu.be/00GGWrPhmf0 https://youtu.be/2noMq6ZBP_w https://youtu.be/aZr89H_VGTI https://youtu.be/v-ikErQcU6o https://youtu.be/Mvx6NISv2ws https://youtu.be/HlzsoLl5nx4 https://youtu.be/a9ncgss81kA https://youtu.be/DTct3QKb4RQ https://youtu.be/w8m6-qmKu6g https://youtu.be/huNmND7RHw4 https://youtu.be/XQAfJBLweS0 https://youtu.be/Q277oV9CpbU https://youtu.be/HbG8TgOuwZU https://youtu.be/Wll_e1dXT7w https://youtu.be/af-umQ7oiK0?si=A4CAt8EY1qoSurj0 https://youtu.be/Fx--v5zKCQQ https://youtu.be/WuAv7Ci-BSA?si=qmQHQoM0LishfVMZ https://youtu.be/btMAaJXcrM4 https://youtu.be/zCMZ0uwbLXw https://youtu.be/oLyrEshUTbI https://youtu.be/QJNzhYxwBU0 https://youtu.be/eiXXA6LDmeQ?si=ia2cONWBkXr8cBku https://youtu.be/Ke-30Trx0JM?si=tyuh_GRxSTPBTWPc https://youtu.be/sLUhtiVqcuM https://youtu.be/RyIxURf9YFw